Cat owners can breathe a sigh of relief: Your feline’s litter box likely won’t put your family’s mental health at risk.
New British research challenges earlier beliefs that parasites in cat droppings might be linked to schizophrenia, obsessive-compulsive disorder and other mental health issues.
“The message for cat owners is clear: There is no evidence that cats pose a risk to children’s mental health,” said study author Dr. Francesca Solmi, of University College London Psychiatry.
Cats are carriers of an infectious parasite called Toxoplasma gondii (T. gondii). They may pass this infection on to humans through their feces. The researchers behind this study wanted to know if contact with cats during childhood raised risk for mental illness.
To find out, the researchers followed nearly 5,000 people born in the early 1990s until they were 18 years old. Specifically, the study looked at whether the participants’ mothers had a cat during pregnancy or if the participants grew up in a home with a cat.
(Source: Health Daily News, WebMD, February 21, 2017)
There has not been another kitty since Samantha. Sometimes a memory is too dear, and time must pass before the heart is ready for another love.
The Story
In Samantha’s mom’s case a dramatic change in schedule just didn’t allow for another adoption for quite a few years after she lost Samantha. Her employer began reorganizing the company nationwide, and she was given an opportunity that required her to travel frequently and for several days, even weeks, at a time. In a way, it was an antidote to the suddenly empty home.
But the heart is sensitive in other ways after caring for a loved one through a sustained or chronic illness as well, less likely to take risks in many ways.
While many kitties were presented and could have done well with her travel schedule, the memory of Samantha’s long decline into kidney failure and the final months of administering subcutaneous fluids herself at home made her consider what she would do if a feline illness presented itself while she was traveling. Risky; best not take the chance, at least until the traveling is over. Sometimes that is the best decision, especially as the months turned into years.
Another portrait at the same time
Though there has not been another kitty since Samantha, there were several kitties before. In fact, when I painted Samantha’s portrait, I also painted another of three cats she had known before and who were, in part, the ones who led her to Samantha.
Honey, Tommy and Andy were mom, son and daughter and while Honey had other kittens this little family of three was a perfect combination: Honey, though petite, was decidedly the boss; Tommy, big and rangy was as sweet as candy; and Andy playful and affectionate.
Honey, in the front, was the mother, and Tommy on the left and Andy on the right were two of her kittens. “Honey was tiny, but she was the boss, definitely the leader,” Samantha’s mom said, remembering the three cats. “Tommy was big but as gentle as a kitten—Honey used to boss him around—and Andy was sweet and playful. We were definitely a family,” she continued. Honey lived into her late teens, outliving both her children, and after that the home was without cats for a while, and then…
Samantha’s Rescue Story
During a visit to a friend who had cats, Samantha’s mom realized she needed the love and affection a cat provides. At a local Humane Society she saw this tiny kitten alone in a cage. Her large yellow eyes begged her mom to save her. The kitten was very small and delicate, her coloring totally black with very fine silky fur; asking the attendant, she learned the kitten was a Burmese and was the runt of a litter. She picked up the kitten who immediately cuddled on her shoulder and she was in love! Then she thought it would be nice for the kitten to have a playmate and selected another kitten, holding both in her arms. The Burmese would have none of this and hissed at the other kitten, possibly due to her bad experiences being bullied by her litter mates. Deciding the kitten needed her as much as she needed the kitten, she took the kitten home, named her Samantha, and had 19 wonderful years with her. (From Great Rescues Calendar and Gift Book)
Planning the portraits
When we planned the two portraits, Honey, Tommy and Andy would be “in heaven”, so they look as if they are in the clouds.
When we ultimately chose Samantha’s pose, that one perfect photo of her awakening from a nap on her little wicker chair, nestled among pillows in the sun, she was looking upward at just the right angle that when we hung the portraits on the landing in her home she was indeed looking up at them, and thanking them for leading the way for her mom to find her.
And Samantha’s mom remembers taking the photo, just capturing that moment when Samantha awoke and gazed around sleepily, relaxed and content.
I can attest that it’s difficult to photograph black cats and used my own black cat, Kublai, as a model for the highlights on her face, paw and body. I remember, initially thinking Samantha was a fairly large kitty, comparing her to the chair and thinking it was a papasan-style or one of those grand wicker chairs I used to see at Pier One and other places, with a deep seat so the pillows were off in the background, but it turned out to be a petite little chair, just right for a petite little kitty.
And not only does the heart hold the memory dear, but also the things attached to the memories. Samantha’s mom still has the little wicker chair, knowing it’s just an object, just a part of all the things Samantha touched in her home, she’ll always keep it as part of the memory of Samantha.
Creating the portrait
I never met Samantha for all the times I visited this person’s home, though she was still around but in her late teens when I painted the portrait, and not feeling well. After the portrait was completed her mom told me that Samantha had developed renal failure, and she was giving her subcutaneous fluids on a regular basis.
I’ve done this plenty of times since then, but at that time I had not and was greatly intimidated when my black cat, Kublai, needed them a few years later. I remembered Samantha and her mom, and that gave me the reassurance if they could get through it, I could do it too. I’ve learned so much from both the cats I’ve known and the persons who’ve loved them.
Closeup of Samantha's face
This portrait was a turning point for me. With each portrait I’d done I had experimented with colors and techniques and been able to start visualizing the way I’d work certain areas as I studied my reference photos, determining the colors, the way I’d apply and blend them so the decisions didn’t even seem conscious.
I remember finishing work on Samantha’s eyes, leaving to take a break, and looking later to see things I didn’t even remember doing, colors applied, blends and clarified edges I hadn’t consciously decided to create, the clarity of her eye in front of her pupil and the shadows and highlights within her eye, highlights on her face and paw, I didn’t know how I’d done this. I knew I’d reached a new level of skill and observation, and with it the confidence that I was on the right path. For many years, Samantha was the signature of my my business, on my business card and brochure until the portrait of Stanley, which is my signature portrait now.
Choosing Samantha as the cover kitty
Samantha as the cover kitty.
I had visualized this project, cover and all, for over a decade, and in a corner of my mind I had always pictured Samantha on the cover, possibly because she had also been on my brochure and her portrait meant so much to me as an artist. I knew I wanted to use a warm, rich color for the cover, dark enough to support the foil stamped text I had in mind. I had initially used the portrait of Bandit because of the red in his portrait and how I love that portrait as well, but my heart went for the little black kitty and the portrait that had changed my outlook on my career as an artist.
Samantha’s mom agreed for Samantha to be on the cover; it’s one thing to be in the book, quite another to be on the cover and therefore see your kitty’s portrait all over the place as I promote the book. I knew how she felt about Samantha still, after all these years, and that might be painful. In the end, it’s a joy for her to have a copy forever on her coffee table so she can not only look at her portraits on the wall, but her copy of the calendar in her living room.
Here is Samantha’s page in Great Rescues:
Read other stories about cats and their rescuers from Great Rescues.
This is the story of one of the portrait subjects who is in the Great Rescues Calendar and Gift Book, offered at www.MyThreeCats.com.
Sherman's Portrait No. 1
Sherman’s family had not lived with any cats prior to Sherman, and have adopted none since, in fact, they are allergic to cats. Yet when an animal-loving friend needed to move from Pennsylvania to Texas and wanted to place as many as possible of her cats and dogs in homes before she left (taking the “unadoptables” with her), they met Sherman and decided to take him home. He was a full-bred ruddy Abyssinian with the gregarious personality and intuitive nature of the breed and adapted immediately, managing their schedules and greeting the neighbors.
If you’ll only be able to share your life with one cat, then finding a cat like Sherman is truly finding the cat of a lifetime.
Sherman is one of the rescued cats featured in my Great Rescues Calendar and Gift Book. The opening paragraph is his “rescue story” from the book, and here is more about him and his people.
When their friends with four children and a house full of animals needed to move, they thought it would be best if they found homes for as many of their cats and dogs as possible rather than make them endure the long drive and resettle. They had a number of animals they considered “unadoptable” because of illness, age or temperament, and those would travel with them. They would try to find homes for as many of the others before they left, but take any who hadn’t been adopted.
“We went to visit them and we came home with a cat!” said Rose. “The last time we visited they told us they wanted us to take Sherman.”
Sherman apparently had an idea what was going on. “I didn’t really want to adopt a cat, but Sherman knew Lou would be easier to work on so he started rubbing around Lou’s legs,” Rose recalled. Then Sherman wrapped himself around Lou and wouldn’t let go. Of course she couldn’t say no, and of course she fell in love with him too.
“We were totally unprepared,” they said “Of course we had nothing for a cat. We don’t remember what they gave us, a litterbox and some food maybe, I’m not even sure if we had a carrier.” They drove 40 miles with him sleeping in the back seat until he started wandering around the car, even trying to get under the gas pedal, but they were almost home.
Rose never had a pet of her own, though her sister had had a cat growing up, but Lou never had a dog or a cat ever in his life. What made Sherman’s owner approach these two as his adoptive family? Knowing them myself I would think it was something about their kind and gentle natures. Sherman probably knew he could easily manipulate them. It was meant to be.
Sherman was eight years old then, but was so friendly and outgoing he sometimes seemed “like a puppy”. “He adapted right away,” Rose said. “It was as if he’d always been here.” He hadn’t been just manipulating Lou, though, Sherman just fell in love with him, and began the continuing habit of sleeping on Lou’s pillow.
This was when the allergies surfaced. Lou had always had some allergies and symptoms of asthma, but never having had a pet had no idea what the effect would be.
“The doctor said I had to get rid of the cat. I told the doctor, ‘No way, I’m not getting rid of the cat.’ The doctor said keep him out of the bedroom, I said ‘No way,’”
So Sherman always got his way. It was because they loved him so much.
They were amazed at some of his abilities.
“He could read your mind, he knew how you felt and what you wanted to do,” said Rose.
Lou worked night turn, when Sherman decided Lou had slept enough he would pull Lou’s eyelids open.
“He loved everyone,” said Lou. “When we would take walks, no leash or anything, it wasn’t necessary, he would walk along with me, go up to greet people, and sometimes sit to wait for people to walk up to him,” he continued. “On a day when a lot of people were around or out in their yards the walk would take a long time, especially when there would be an open garage door and he would have to go and investigate until he was satisfied.” Of course, Lou would patiently wait on the sidewalk until Sherman was done with his investigation.
Rose recalled that when someone come to do an energy audit of their house, after the tour they settled down at the dining room table to talk over the findings. The guy had a beard, and Sherman started grooming this guy’s beard.
“Lou has a beard, and Sherman groomed his beard too” Rose said. “I think Sherman thought Lou was a big cat.”
And though most of the memories of Sherman involve his relationship with Lou, Rose had her time with Sherman as well. “He was very comforting because he was so soft to touch. Sherman had a silky coat, it looked soft and it was soft,” she remembered
Sherman lived to be 18, a good ten years with a very special cat.
After they lost Sherman, Lou “realized how much breathing he had been missing”, and they both decided another cat was probably not a good idea.
“We see cats and we talk about it, but he’s allergic. He’s not so allergic that he can’t visit someone with pets, some he’s more allergic to than others,” Rose explained.
Sherman is still a big influence, and they still use his name whenever possible.
Sherman’s portrait set was one of the ones I needed to rephotograph in order to print the calendar. They are small, 8” x 8” each, and I had painted them in 1994 (the calendar says 1996, but I had the wrong date on my paperwork from way back then). The photos I took then were fine to trim down and add to my portfolio book, but enlarging them only lost detail and the colors were impossible to adjust. The lens I had then made focusing on something small very difficult; shortly after that I finally purchased a high-quality scanner and used that for anything small enough to fit in the scanner bed.
And even when I visited to pick up the portraits—I needed to bring them home to photograph them—the stories continued, and Lou was concerned about how long Sherman’s portraits would be away.
“He knew when the kids would be coming home from school, and would sit at the top of the steps to greet them,” both Rose and Lou agreed, “and then he’d be back in the house getting involved in whatever we were doing.” He also waited for Lou to come home from work, sitting on a chair which Rose had placed in front of the screen door.
Creating the portrait
Rose and I worked together for several years in the 90s, and in addition to her day job Rose is herself a textile artist, so though we worked in different departments we would sometimes discuss local art events, like the Three Rivers Arts Festival, and what we’d seen there and were working on. Later, when I needed to learn about cold-set dyes and purchasing blank t-shirts for my Tortie Girls prints, she would also be the person to explain the different types of fabric dyes and guide me to Dharma Trading Company where I buy my blank shirts and dyes.
Remembering Lou’s relationship with Sherman, she decided a couple of years after they had lost Sherman she’d get Lou a portrait of him that he could keep forever.
As we discussed Sherman’s portrait and looked at photos considering postures and settings, we initially decided on the image one of him outside on the patio since they had spent much time out there and it was simply a nice image, appealing to both of us.
Yet she had mentioned more than once him sitting on the chair in front of the door, and knew that was a very special memory for Lou.
Sherman at the door was a big, strong memory, but simply not as nice to look at as the one on the patio, yet the one on the patio wouldn’t serve all on its own, and I knew this from trying to choose images for portraits of my own cats.
I suggested two small portraits and she liked the idea so we didn’t have to choose one and eliminate the other, risking a regret later, and the possibilities of framing and hanging them appealed to her as well.
However, she didn’t have a photo of Sherman at the door. Well, I rarely work from one photo, and often add things that people have described to me, painted in backgrounds from photos I have, imagined what an animal looked like before the cataracts or the amputated leg, or tried to visualize an animal from the one and only photo available that shows the animal very small, blurry, and the flash washing out its face. If I have enough information, I can visualize the rest. It’s a different sort of a challenge to create a portrait from scratch.
We discussed the type of screen door and chairs they’d had, the house was pale yellow brick, and I took it from there.
Sherman's Portrait No. 2
Here is Sherman’s page in Great Rescues
Read other stories about cats and their rescuers from Great Rescues.
Houdini and Holly, best friends to the end, courtesy Judi Stadler
“Holly was my first and only kitten,” Judi told me. “All my cats were adults that I rescued or adopted. She was a real treat—I’d never seen the energy of a kitten.”
Holly in the toolbox, courtesy Judi Stadler
Holly was about six weeks old when Judi’s partner Don brought her home in the cereal box and is a featured rescue kitty in Great Rescues:
Holly’s dad was working on his apartment building in a small town 50 miles from his home and noticed a tiny kitten, maybe five weeks old, running from under the porch at the house next door; apparently they were just letting a new litter run the streets until they decided what to do with them. He put milk out for the kitten as she visited the back stairway, then went next door to confirm the kittens belonged to them, asking if he could adopt the little calico, to which they agreed.
Holly on the ladder, courtesy Judi Stadler
He took her into an apartment and fed her there, took her to the local vet for a checkup and kept her with him for about 2 weeks as he worked on the building. The neighbor stopped him in the driveway a few days later and said she had promised the kitten to her sister. Holly’s dad immediately replied that he had already given her a new home in Pittsburgh, 50 miles away, and she was no longer available. Later, he secreted Holly out hidden in a cereal box and brought her home.
Houdini and Holly, wrestling, courtesy Judi Stadler
“She got along with everybody. They were all equally annoyed with her kitten games—but Houdini took to it right away,” she continued.
And that would be very special for Judi; Houdini was then 19 years old, and he had been her first cat, ever, in a lifetime of rescuing cats. At that age, she knew they wouldn’t be together too much longer. “Holly kept him playing like a kitten in his last year,” she said.
Separately and then together, Judi and Don have rescued at least a dozen cats, and it’s always interesting to find out how serial cat rescuers got their start. Often, it begins with just one very special cat, and many other cats’ lives are ultimately saved because of the loving relationship between that cat and that person. For now, we’ll focus on the story of Judi and the cat who started it all for her.
Finding Houdini
The young Houdini, courtesy Judi Stadler
So how does a person who’s never lived with a cat end up with a cat like Houdini? And with a name like that you know there’s got to be a story.
“I had just bought my house, and I decided, ‘This is my first house, I’m buying it by myself, and I’m going to get a cat’,” Judi stated. Those three activities might not seem entirely congruous to some people, but getting your own place is often the time people adopt their first pet.
While a cat was Judi’s choice for a pet, it was her friend Joanie, already a cat owner, who took her to the Animal Rescue League where Joanie herself had adopted her three cats.
But Judi would say the rest of it was up to Houdini.
“He picked me,” she said simply. “We walked past all the cages and he was laying on his back reaching his paws out through the bars at me. He was about a year and a half old, not a kitten. Everything in his cage was upside down—litter, water, food. I wanted him so badly, but I had to wait three days,” she remembered, referring to the fact that he had been brought into the shelter as a stray and the shelter policy at that time was to give the owner time to come and claim the animal.
He got his name the very first day he was in her home, which was new to her as well since she’d just moved in. When she brought him home she put him in a room by himself that had nothing in it but his food, water and litter—and he disappeared! Then she found him in the next room. New house, new cat owner, she had no idea what to think.
Houdini being swallowed by fishy cat bed, courtesy Judi Stadler
There was a countertop with shutters between that room and the next, but as far as Judi knew the shutters were decorative or fixed in place, she hadn’t really noticed them until she started to look for the cat. Houdini, however, had jumped up on the counter which pushed the shutters open, continued through to the other room, the shutters closed behind him, and no one could know better.
For the next few years it was just her and Houdini as Judi accustomed herself to the wiles of a very intelligent, intuitive cat. She kept him indoors, but he managed to pop the screen out of a first-floor window early one morning and was gone when she awoke. She ran around the neighborhood calling for him and saw him soon enough walking next to a neighbor’s house. Not knowing cats she had no idea what to do, but quickly decided trying to run him down on foot wasn’t a good idea, so she simply greeted him. “Hi, Houdini, there you are! Come here, buddy! I’m so glad to see you!” Houdini hurried over happy and purring, and Judi picked him up and took him inside.
And he had his five wake-up routines—lifting the lid on the cedar chest with his nose far enough to let it fall down with a bang several times, and if that didn’t work he’d bite the edge of her silk lamp shades, and so on.
Gabby
When she moved to her current house the neighborhood hosted a number of cats who were either stray or fairly neglected, and she was immediately taken with concern for them, thinking “what if one of them was Houdini?”
The dark tabby she saw daily walking around in the box gutters of the apartment building a few doors down she named Luther. The black and white cat who was always on a windowsill crying to get into an apartment and who ran to greet her when she came home she named Sylvester. And the scruffy long-haired orange cat whose owners were totally unconcerned if she lived or died she named Gabby, and though they managed to get Gabby back from her, Gabby would return another day.
Houdini and Holly, courtesy Judi Stadler
So it was that she had three lovely kitties and a few years after that Don moved in with his three rescued cats, Heart, Kitty and Callie (a male calico), and that’s the way they all became “The Brady Meow Bunch”.
Fast forward almost ten years and a few more cats, and Houdini had lost his best playmate, Kitty, shortly after Holly came into the household in November 2007. Houdini, always congenial, let her torture him where the other cats were none too amused, and wrestled with her as she grew, and they curled to sleep together until he passed in January 2009.
Judi with Hilda
It wasn’t planned, she wasn’t looking to find another Houdini, but in March that year Judi found herself at the Animal Rescue League and came home with another young adult gray cat, who she named Emerson (of the undescended testicles) and who is a story unto himself.
“When you live with animals you are just less self-centered,” Judi said. “You come home from work and the stress of the day just disappears when you see your cats, you let things go for a while and realize it’s not all about us.
“When we come home,” she said to Hilda, “it’s all about you.”
Antique desk and lamp, vintage ceramics and glass, and cat bed
About the rescuers
Obviously, Judi and Don have a lot of rescue stories between them just waiting to be told. I’ve enjoyed getting to know these kindred spirits personally and professionally, and sharing stories of our rescues, our daily funnies and our losses as well.
Aside from having our cats in common, Judi owns Carnegie Antiques where I have my little shop in the back room. We met when I was running Carnegie Renaissance, an all-volunteer community development group I’d helped found in order to bring businesses together and host community activities; Judi welcomed me the first time I entered her shop and she was always willing to volunteer and participate in activities.
I’ve also designed and am redesigning her website and assist her with marketing and social networking. In fact, we were hard pressed to keep our minds on Judi’s website redesign the other day because Holly and Hilda and Emerson and Alli and Tiffany were much more interesting subjects!
Holly
Hilda
Tiffany
Emerson
Alli
Here is a little more information about them, also from Great Rescues.
Holly’s mom and dad are friends of mine and I see her regularly. She’s a congenial little calico who greets you at the door and knows she’s the center of attention. Among other things, they own an antique and vintage shop and collect furniture and household items, hence their large Victorian house is full of neat and colorful things—and always about a half dozen cats. Both have adopted from shelters, rescued cats much like Holly and taken in stray cats from the neighborhood as well as the relentless parade of e-mails advertising cats who need homes, including lovely but troubled Tiffany, who requires lots of patience to understand a cat who turned out to be feral but was not described as such.
On the back of the rocker Holly is accessible to everyone who walks through the room and can see most of the first floor of the house. In addition to the subject of a portrait I’ll often add a certain amount of a background scene which will truly make it an accurate portrait of a person’s pet showing it in the actual setting of the house where they lived. I had taken the photo on a bright winter day I visited and knew it would one day be a wonderful painting, and so it turned out to be. In this case, because it shows so much of the background including the stained glass window, I wanted it to look more like an illustration than a formal detailed portrait, so used the natural transparency of watercolor.
Here is Holly’s page in Great Rescues
Read other stories about cats and their rescuers from Great Rescues.
I usually keep in touch with the family for whom I’ve created a portrait. We’ve often done quite a bit of work determining the exact posture and scene for a portrait, gathering images and sometimes I paint purely from visualizing what my customer is describing. Also, nearly half my portraits have been memorials, created either after the animal has passed or around the time of its passing, and working out the details of the portrait include working through a certain portion of the family’s grief.
Besides that, we came together to do their portrait because we love animals, and that’s a natural friendship. I often hear news of the household, the arrivals of new animal companions and the passing of others, and stories of the household in general.
In the months after I finished Cooper’s portrait, I received a call from his family to tell me the sad news that they had lost Patches to complications from polyps she had developed in one ear.
Patches and Cooper had been best buddies. Cooper had passed about a year before I painted his portrait, and when it was finished and we hung it over the couch, I met Patches and the other kitties they had rescued and adopted, inspired by their love of Cooper.
Soon after, Patches showed signs of illness, but it took a number of tests to find the polyps. They were inoperable, and while her family eagerly tried a number of standard medical treatments as well as naturopathic treatments, all too soon she was losing her battle.
Detail of Cooper's face.
They told me that just days before Patches died, even though she was weak and declining quickly, one evening she climbed up on the back of the couch, sat up and gently touched the glass over Cooper’s face in the portrait, looked at him for a short while, then carefully got down.
“Was she saying, ‘There you are,’ or ‘I’m coming, I’ll see you soon,’ we don’t know,” they commented. “After that, she seemed to accept what was happening to her.”
Anyone who has lived with animals knows that they communicate with us as well as with each other, and that they experience the same range of emotions as we do, including love and grief.
When I create a piece of artwork, any subject, I not only work with the images I have and the medium I’ve chosen, but I also instill what I would be sensing if I was standing in that spot, and what I’m feeling about the subject, all as if I was experiencing it in that moment.
When the subject is one of my animal portraits I also consider the relationship between the animal or animals and their family while I’m working, either through observation or from what they’ve related to me.
In the case of Cooper’s portrait, I had received a call from someone saying he had one photo of his girlfriend’s cat who had passed the previous year and he’d like to give her a portrait of him for the anniversary of his passing and her birthday, which were close—and also a little over a month away. It was possible to paint and finish, mat and frame a portrait in that time, but as I still worked a day job with a lot of variables I usually wouldn’t risk it, except that he had given the same photo to another artist who had not gotten the portrait done and still felt strongly that the portrait was what she needed to have.
This could be tricky—not only would I not be able to meet Cooper, nor would I be able to meet his person or see the household or have any other connection with my subject other than this one photo, and the portrait was fairly large, 22″ x 17″. But though he only had the one photo, he was generous with stories about Cooper and the household, and very much emotionally invested in the project himself.
We did meet the deadline, and in that concentrated period I spent a good bit of time considering what he’d told me about Cooper and the household.
I know that depth was invested in the portrait itself, showing in a physical manner—I always say that I paint until my subjects look back at me—and perhaps in a spiritual manner as well, recognizable by humans and animals as well. My families will tell me that, though I’ve often thought it was the confused musings of someone who stayed up too late and spent too much time alone with my painting.
Cooper’s story is this:
Cooper's page in Great Rescues
Cooper had literally been born in a barn but was adopted to a friend of the farm owner who cared deeply for his barn cats including the occasional drop-offs and strays. Cooper lived happily with his mom for three years as she moved from Pittsburgh to Philadelphia and became engaged to a man who was dangerously allergic to cats. Though they tried treatments his reaction was life-threatening and she carefully began the process of finding a home for her precious Cooper. The same farmer put her in contact with Cooper’s eventual mom, who had recently divorced and bought a house but resisted the idea of a pet. On a trip to Philly for a conference she met Cooper, enjoyed the visit, but said no. After a week alone in her house, she called the woman back and said she needed Cooper’s company. Cooper was chauffeured back across the state to his new forever home.
